Smash, Josh Safran
Smash has found itself a new lead.
Gossip Girl executive producer Josh Safran is finalizing a deal to replace outgoing boss Theresa Rebeck as showrunner in Season 2, sources have confirmed to TVGuide.com. Rebeck...
Heidi Klum isn't the only woman going nude for Allure's May Issue.
Smash's Debra Messing...
Smash, NBC's soapy musical drama about the making of a Broadway show, has been renewed for a second season, the network announced Thursday...
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Question: I watched the first episode of Smash this week and I enjoyed it. I like the cast, the music and the dancing, and the overall "Broadway" feel of the show. I just can't find myself going along with what is apparently the central idea of the show, which is that Katharine McPhee would make a better Marilyn than Megan Hilty. Really? Don't get me wrong, I love ...
Here's hoping Megan Hilty doesn't have a complex... For months, NBC has been touting Smash as that new show starring American Idol's Katharine McPhee when in fact she is one of two actresses in the series whose characters are vying to play Marilyn Monroe on Broadway.
"...and introducing Katharine McPhee!" "Watch this specially filmed music video of Katharine McPhee singing 'Beautiful'!" And just take a gander at the poster, nicknamed Mount McPhee by one of the Idol alum's co-stars: It does her co-stars like Debra Messing no favors (is she about to fall off?). Anjelica Huston just barely squeezes in.
So is it safe to assume that McPhee's Karen Cartwright gets to play Marilyn?
Katharine McPhee, Megan Hilty
Resist the urge to pigeonhole or, worse, dismiss NBC's Smash as a "Glee for grownups." It's more original and exciting than that, bringing a thrilling charge of bold creative energy to network TV's mid-season that the fall largely lacked. Smash (premiering tonight at 10/9c, and maybe you caught wind of it during the Super Bowl?) is a musical show-stopper, a lavish and dishy wallow in the glittery yet ...
Will & Grace, Eric McCormack and Debra Messing
Ex-Will & Grace roomies Debra Messing and Eric McCormack may soon move back in together.
With Debra now in New York shooting NBC's Smash, the recently separated actress tells me, "Eric's moving to New York this spring to do a Broadway play [The Best Man], so I've told him...
Smash, Katharine McPhee and Megan Hilty
Thanks to NBC's relentless marketing and PR campaign, much is already known about Smash, a big-risk series about the making of a Marilyn Monroe musical. At the center of the sudsy backstage drama is American Idol's Katharine McPhee, who stars as an ingénue pitted against a more seasoned Broadway chorus girl to play the iconic blonde.
If the premise sounds hopelessly niche for a broadcast network in desperate need of a hit (thespians! show tunes! jazz hands!), both NBC and critics high on the series have been working hard to change your mind. Advanced word on Smash is that it's the anti-Glee (especially if you've tired of that show's pop song-happy chorus of high schoolers), The West Wing but on Broadway (should you miss Aaron Sorkin's defining sense of a workplace), and a game-changer for NBC (if you went bananas for the first episode, which NBC screened in theaters and made available on-demand and online weeks before Monday's official premiere).
Watch Smash right now — then tell us what you think!
Is it all just hyperbole?
Scene: A massive converted warehouse somewhere in Brooklyn, late 2011. The lights come up on the cast of an ambitious network drama about the making of a Broadway musical based on the life of Marilyn Monroe as they screen the series' pilot during a catered lunch break. Once the credits roll, so do the waves of applause...
As anyone who's read the copious critical raves knows, Smash — the most faaabulous show that's not on Bravo — is all that and an orchestra seat. Produced by Steven Spielberg, created by Emmy nominee Theresa Rebeck (NYPD Blue), loaded with tunes by Hairspray Tony winners Marc Shaiman and Scott Wittman and boasting a cast so good you'd think it was on cable, this stage-door soap is either gonna be a knock-'em-dead blockbuster or one of TV's splashiest misfits.
It's risky for sure. There's a reason...