David Weisenberg

I Know Who Killed Me -- Aubrey Fleming lived the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but with a new personality -- that of bad girl Dakota Moss. Desperate and alone, Dakota must unlock Aubrey's family secrets to unmask a mysterious killer, and discovers there are two sides to every crime.

Mousehunt -- Gore Verbinski, the TV-commercials director responsible for the Budweiser frogs, directed this Adam Rifkin screenplay about two brothers (Nathan Lane and Lee Evans) who inherit a string factory and a decaying country home after the death of their father (the late William Hickey, in his last role). After moving in, they learn that the house has historical architectural importance and is valued in the millions. However, they are constantly tormented by a mouse within the walls. They engage in cartoon-like combat against the rodent, but it manages to outwit the brothers in successive situations. Both live and animatronic mice portray the title role, and some scenes assume the mouse's point of view.

Aubrey Fleming (Lindsay Lohan) was living the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but changed. She is missing limbs, but has gained a new personality - that of bad girl Dakota Moss. Her parents and the FBI think she's suffering from delusions, but if "Dakota" is just a trick of her mind, why do strange wounds keep appearing on her body? Desperate and alone, Aubrey must now unlock family secrets to unmask a mysterious killer with a deadly obsession.

Aubrey Fleming lived the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but with a new personality -- that of bad girl Dakota Moss. Desperate and alone, Dakota must unlock Aubrey's family secrets to unmask a mysterious killer, and discovers there are two sides to every crime.

Aubrey Fleming lived the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but with a new personality that of bad girl Dakota Moss. Desperate and alone, Dakota must unlock Aubrey's family secrets to unmask a mysterious killer, and discovers there are two sides to every crime.

Two down-on-their-luck brothers (Nathan Lane and Lee Evans) inherit a run-down mansion that turns out to be worth millions. They can sell it and pocket a fortune, but first they have to evict its diminutive tenant: a mouse with no intention of leaving. Slapstick humor abounds -- along with a great cameo by Christopher Walken as a crazed exterminator -- in this zany family comedy from director Gore Verbinski (The Pirates of the Caribbean trilogy).

Gore Verbinski, the TV-commercials director responsible for the Budweiser frogs, directed this Adam Rifkin screenplay about two brothers (Nathan Lane and Lee Evans) who inherit a string factory and a decaying country home after the death of their father (the late William Hickey, in his last role). After moving in, they learn that the house has historical architectural importance and is valued in the millions. However, they are constantly tormented by a mouse within the walls. They engage in cartoon-like combat against the rodent, but it manages to outwit the brothers in successive situations. Both live and animatronic mice portray the title role, and some scenes assume the mouse's point of view.

Down-on-their luck brothers Lars and Ernie Smuntz (Nathan Lane and Lee Evans) don't think much of the crumbling old mansion they inherited... until they discover that their dilapidated estate is actually worth millions. But before they can cash in, they've got to rid the house of its single, stubborn occupant: a tiny and tenacious mouse.

Aubrey Fleming (Lindsay Lohan) was living the small town life, until the day she was abducted by a sadistic killer. After a frantic search, Aubrey turns up alive, but changed. She is missing limbs, but has gained a new personality - that of bad girl Dakota Moss. Her parents and the FBI think she's suffering from delusions, but if 'Dakota' is just a trick of her mind, why do strange wounds keep appearing on her body? Desperate and alone, Aubrey must now unlock family secrets to unmask a mysterious killer with a deadly obsession.