David Muller

A reclusive painter turns violent against a girl in his life.

A reclusive telemarketer, whose dysfunctional friendship with his boss is alleviated when a whimsical co-worker enters his life. But as he begins to sketch his new friend s portrait, disturbing feelings from his past threaten to lead him down a path of destruction.

Portland in the fall is a solitary city. A city where a lonely man can lose himself, insulated beneath the cold, and the clouds, and the rain. Mason (Joel David Moore) is just such a man. A gifted artist, Mason is never-the-less neurotic and reclusive, living a life of anonymity, working from a drab cubicle in a florescent-lit phone bank, repeating the same meaningless conversation with faceless strangers ad nauseam. Mason is never truly noticed by anyone, save his boss, Berkeley (Zachary Levi), not quite a friend, but a sole source of companionship in an otherwise isolated existence. That is, until he meets a gregarious co-worker named Amber (Amber Tamblyn), a girl struggling with her own loneliness and need to define herself. Amber's jovial demeanor and seemingly carefree attitude provides a sort of catharsis for Mason, and allows his true gifts to come to light as she poses for his art. It is an unlikely, and unusual courtship that helps Mason find peace for possibly the first time in his life. But as Mason's defenses lower, and the man inside is revealed, there may be something behind the surface darker than anyone expected. For not everything that is hidden should be found, and not every love is meant to be. And you can't paint over your past...

Ernest in the Army -- Ernest joins the Army reserves so he can drive the bigrigs, but ends up being sent into combat!