David Dundas

How to Get Ahead in Advertising -- Dennis Bagley can sell shampoo to a bald man, but mounting pressures at work begin to push him over the edge. Teetering hilariously between a nervous breakdown and a bizarre metamorphosis, can Dennis save himself before it's too late?

Withnail & I -- Acerbic and irresistibly self-destructive Withnail and neurotic Marwood are down-at-the-heels actors in 1960s London, living in self-inflicted squalor and drowning their artistic frustrations with booze and any drugs they can get their hands on.

Quint Munroe loses his oldest friend, Squadron Leader David Scott on a mission to destroy a group of German V-1 launchers, and Quint must break the news to his wife Beth, with whom Quint had once been involved. In the months that follow, Quint and Beth slowly rekindle their romance — meanwhile, the German V-weapon program continues to advance, and they are getting ready to unveil the V-3. Quint is given the task of destroying the V-weapon plant at Charlon, a mission made possible by a new "bouncing bomb" called the "highball," invented by Dr. Barnes Wallis (of "Dambusters" fame). Just before the mission is to be undertaken, however, the Germans drop a film showing air prisoners, including a still-alive Scott, being moved to Charlon. Now the Mosquito crews will be killing their own colleagues and friends, and Quint must carry out his orders, which include hiding the fact that Scott is alive from Beth. The secret gets out to the squadron pilots, however, and a rebellion starts brewing in their ranks. Try as he might to find a way to save the lives of the prisoners, there seems to be no way for Munroe to avoid killing British pilots with British bombs.

London advertising executive Dennis Bagley (Richard E. Grant) seems to have it all: a big house, a lovely wife (Rachel Ward) and a flourishing career. But when he hits a dry spell and can't come up with a campaign for a new pimple cream, a very unusual boil appears on his shoulder. One day, the boil begins to talk -- but Bagley's the only one who can hear it. Bruce Robinson directs this biting satire that lampoons the world of advertising.