Cybill Shepherd talks about her role on Psych (Fridays at 10 pm/ET, USA), her decision to remain un-Botoxed and being haunted by Elvis.
TV Guide: We're impressed, Cybill: After 40 years in the biz and at 58, you're still working like a madwoman. There's your role on Showtime's The L Word, and then this month, you're debuting a recurring role on USA Network's Psych. How do you feel?
Cybill Shepherd: I'm thrilled! It's the most activity I've had in, like, the 10 years since Cybill went off the air. I'm always amazed that I go through down periods of not doing a lot of work and then the roller coaster just continues up another hill. The funny thing is, my character in Psych is named Madeline — just like in Moonlighting. That may not be an accident....
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Sorry, couldn't resist. The coveted role of James Roday's TV mom on Psych has actually gone to Chuck Lorre's BFF ex-Moonlighting P.I. Cybill Shepherd. Not nearly as exciting as Meryl Streep, but, c'mon, still a fun piece of casting. Shepherd will appear in at least two episodes, beginning with the third-season premiere on July 18. According to a USA insider, her character, Madeline, is a private practice psychologist who, after spending a few years abroad, returns to Santa Barbara to pay her ex-hubby (Corbin Bernsen) and son a visit and ends up helping them with a case. She's described as being a free spirit and the source of Shawn's adventurous side. Ma Spencer was actually introduced in the final moments of the Season 2 finale when she showed up unannounced on Shawn's doorstep; viewers, however, did not see her face.Hey, Psych fans does the idea of a Roday-Shepherd-Bernsen confab give you good or bad vibes? Sound off below!
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It's not Christine Baranski, but this'll do nicely. The sublime Rachael Harris (Notes from the Underbelly, Fat Actress) will play even-tempered sidekick to Cybill Shepherd's Katey Sagal's unhinged sitcom diva in that stuntastic episode of CSI penned by Two and a Half Men scribes Chuck Lorre and Lee Aronsohn. And should there be any lingering doubts that Lorre and Aronsohn modeled Sagal and Harris' characters after Shepherd and Baranski, both of whom the writers worked with on Cybill, this next little tidbit should erase them: Sources confirm what I hinted at last August, that the duo first offered the second-banana role to Baranski herself. That's right, they wanted Baranski to play Baranski! But for whatever reason possibly this one she wasn't able to do it. Um, have I told you lately how much I'm looking forward to this episode?
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Holy crap! They're actually going through with it! As we previously reported, the writers of Two and a Half Men and CSI are switching teams for an episode of each others' series to air this May. Well, for the funnymen's CSI installment, it appears that they're sticking with their original plan and killing off their old boss, Cybill Shepherd!If you'll recall, Two and a Half's main Men, Chuck Lorre and Lee Aronsohn, used to exec-produce the laffer Cybill, where their leading lady was said to be, to put it mildly, difficult. Now, according to an early outline of the episode obtained by yours truly, as payback, in the CSI titled "Two and a Half Deaths," the scribes have created an ill-fated sitcom ball-buster named Annabelle Bundt who never met a back she wouldn't stab. As if the fact that Annabelle's show is named after her isn't enough evidence of the correlation we are supposed to make, the guys have also given their she-devil an even-tempered and "infinitely more talented" on-screen...
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Question: In another blog on TVGuide.com, someone was bemoaning having Jim and Pam together on The Office, saying, "Did we learn nothing from the Moonlighting debacle?" Not being a viewer of The Office, I cannot weigh in on the specifics of this situation. But I'm tired of Moonlighting being cited as the reason no couple has been allowed to get together on a TV show for the last 20 years. In my opinion, the reason Moonlighting failed to work once they put Dave and Maddie together is because by that point, Bruce Willis and Cybill Shepherd couldn't stand to be in the same room with each other. Their chemistry was gone and their loathing was evident. After a while, manufactured excuses to maintain sexual tension take their own toll on an audience. Add that fact to everyone claiming that, post-Moonlighting, couples must be kept apart at all costs, and it becomes a self-fulfilling prophecy. Once the couple finally gets together, people look for what they were told was going to be there: a ...
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