Christine Hargreaves

An American Werewolf in London -- England first, Italy later. That was the plan David talked his friend Jack into following when they took off for a European jaunt. Walking through the English moors one night, they hear an unearthly howl. This no longer seems like such a good idea...

The Hireling -- An insightful examination of class barriers in England in the 1920s, following the romance between a wealthy young widow and her hired chauffeur.

The story of THE WALL is told simply with the music of Pink Floyd, images and natural effects. There is no conventional dialogue to progress the narrative. Our story is about Pink, a Rock and Roll performer, who sits locked in a hotel room, somewhere in Los Angeles. Too many shows, too much dope, too much applause: a burned out case. On the TV, an all too familiar war film flickers on the screen. We shuffle time and place, reality and nightmare as we venture into Pink’s painful memories, each one a “brick” in the wall he has gradually built around his feelings. Slowly he withdraws from the real world and slips further into his nightmare as he imagines himself as an unfeeling demagogue, for whom all that is left is the demonstration of power over his unthinking audience, the culmination of the odious excess of his own world and the world around him. His internal self trail follows, as the witnesses of his past life, the very people who have contributed to the building of the wall, come forward and testify against him.

Northern England first, Italy later. That was the plan David Kessler talked his friend Jack Goodman into following when they took off for a three-month European jaunt. But walking along a lonely road through the desolate English moors at night, cold, tired and eager for the comfort and warmth of the next pub, it no longer seems such a good idea. At first, the two American college boys banter good-naturedly; as the rain begins to fall, they walk on in silence. The next sound they hear is an unearthly howl from across the moors...