Send your movie questions to FlickChickUPDATE Posteritati Gallery is showing vintage Cary Grant movie posters from February 14 to April 15 readers who live in or around New York city might like to check it out The name of the show Cary Grant The Man From Dream City is taken from a 1974 Pauline Kael essay published in the New Yorker You can read it online Cary Grant The Man From Dream City Part 1Cary Grant The Man From Dream City Part 2And now for something completely trifling Kiss and Make Up 1934 this weeks DVD Tuesday featured film is a short sweet souffl of a romantic comedy that rests lightly on the shoulders of handsome Paramount contract player Cary Grant It pokes fun at such then-timely pop-cultural concerns as fad dieting cosmetic surgery society-girl hijinks serial marriage and shameless cross-platform self-promotion Yes 1934 can you say plus 231a change plus cest la m234me choseIn real life Grant was a transplanted Englishma
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I found it quite appropriate that the theme of tonight’s episode was printed on an old rock T-shirt Chris stole from Lorelai when they were teenagers: Synchronicity. It began the second Lorelai put that shirt on and said she’d never take it off. (Here, let me quote you some of the lyrics by The Police: "Synchronicity / A connecting principle / Linked to the invisible / Almost imperceptible / Something inexpressible / Science insusceptible / Logic so inflexible / Causally connectable / Yet nothing is invincible.")Is it just me, or do those lines explain exactly what’s going on between these three couples: Chris and Lorelai, Luke and April, and Rory and Logan? Each of them is bound together in this episode by odd timing and twists of fate: After 20 years, Chris and Lor are now the married couple settling into the house that, ironically, Luke rebuilt. Sure, there was some back-and-forthing about the flat-screen TVs in practically every room and how they’d need to re...
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Cary Grant was workin' it, fo' sho. A list published in the November issue of GQ names Alfred Hitchcock's North by Northwest as the most stylish film of all time, meaning the looks it brought to the silver screen went on to have the biggest influence on the sartorial scene. Also making the top 10: Breathless (1959), Ocean's 11 (1960), Purple Noon, 8 1/2, A Hard Day's Night, How to Steal a Million, Blowup, Bullitt and Get Carter (1970). Conspicuously, no Clan of the Cave Bear.
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Gene Barry and Gary Conway, Burke's Law
Question: I remember the show Burke's Law from the '90s or so, but wasn't there an earlier version of it on TV some years before? Thanks.
Answer: That there was, Drew. The original Burke's Law, which starred Gene Barry as L.A. chief of detectives Amos Burke when it launched — he became secret agent Amos Burke in the show's last season, when it was titled Amos Burke — Secret Agent — ran on ABC for two and a half years beginning in September 1963.
If Barry'd stuck to the way he'd been thinking about TV a couple of years earlier, however, he'd never have stepped into the role, which was first played by Dick Powell a couple of seasons before on Dick Powell Theatre. Barry didn't really like TV, and after leaving his previous show, Bat Masterson,
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Question: TVGuide.com's Entertainment News reported that "Nia Vardalos is penning Talk of the Town, a big fat star vehicle for Tom Hanks." Is this a remake of the Cary Grant/Jean Arthur movie The Talk of the Town, or is it a different story with the same title?Answer: I'm thinking totally different story with the same title. All I've heard about the plot of the new Talk of the Town, which My Big Fat Greek Wedding (2002) writer and star Nia Vardalos is writing from an idea by Tom Hanks, is that it involves a man (presumably Hanks) who's suddenly forced to make an unexpected career change. This doesn't sound at all to me like the vintage dark comedy
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Question: I recently watched a marathon of Andy Griffith shows, and on one Goober does an imitation of Cary Grant where he says "Judy, Judy, Judy!" Can you tell me what movie that line is from?
Answer: Cary Grant never said the line "Judy, Judy, Judy" in any movie, although in Only Angels Have Wings (1939) his sultry ex-wife's name is Judy (played by Rita Hayworth), and he does say "Susan, Susan, Susan" (to Katharine Hepburn, whose speech patterns were equally distinctive) in Bringing Up Baby (1938). And yet it's the st
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Question: When did directors start getting credits like “Alfred Hitchcock’s Psycho," where their names are given as "owners" of their films?
Answer: That’s called a possessory credit, and popular belief is that it’s a product of the '50s, when directors began thinking of themselves as solo auteurs rather than parts of a collaborative team. This struck many other behind-the-scenes personnel, especially screenwriters, as a world-class case of too-big-for-their-britches syndrome. Otto Preminger lobbied hard for and got the especially lofty “A film by Otto Preminger” credit, which prompted a legendary exchange between director Billy Wilder and screenwriter I.A.L. Diamond. “That’s Otto Preminger’s house,” Wilder is supposed to have observed as they were driving, to which Diamond replied, “No, that’s ‘A House by Ot
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Question: I desperately need to find out the name of Clarence the Angel's book in It's a Wonderful Life — it's driving me crazy and no one can tell me.
I've heard that James Stewart wasn't the first choice to play George Bailey — is this true? I can't imagine anyone else in the role.Is it true that the Sesame Street Muppets Bert and Ernie are named after the policeman and cabdriver from It's a Wonderful Life?Answer: The It's a Wonderful Life (1946) questions always come thick and heavy at this time of year, and why not? It's a wonderful movie, and it's not nearly as sappy as you might think if you've only seen the snippets used ad nauseum in TV spots. Clarence's book is The Adventures of Tom Sawyer, by Mark Twain. Director
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Question: Who costarred on the old TV show To Catch a Thief with Robert Wagner? I say it was Eddie Albert, but my husband insists it was Norman Fell. Thanks much.
Answer: Well, I insist that both of you need a little straightening out, Ms. Wendy. For one thing, To Catch a Thief was the Hitchcock film that starred Cary Grant and Grace Kelly as a former high-class thief and the socialite who had designs on him. It Takes a Thief was the Wagner vehicle that swiped the basic concept and made it into a series, which ran on ABC's schedule from January 1968 to September 1970. The general setup was that high-end thief Alexander Mundy (Wagner) was cooling his heels in prison but was offered a chance to work for the government on clandestine operations. Since tooling around Europe and living the high life with various gorgeous babes was more
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