Brad Henke

Me and You and Everyone We Know -- An artist's world is turned upside down when she falls in love with a man who has two sons. This drama from Miranda July won the Originality of Vision prize at Sundance.

The Thirteenth Floor -- A sci-fi thriller about an experiment gone awry, resulting in a murder mystery that veers between 1937 Los Angeles and the present day. An intelligent look at reality versus manipulated perception, where one is forced to question everything.

In Miranda July's quirky dramedy, an artist's world is turned upside down when she falls in love with a man who has two sons and is prone to do strange things. This IFC film was the indie success story of 2005, winning the Camera D'Or at Cannes, the Originality of Vision prize at Sundance, a Spirit Award for its producer, and two Spirit Award nominations for Best First Feature and Best First Screenplay.

The barriers that separate fantasy from reality are shattered in this stylish, mind-jarring thriller, where two parallel worlds collide in a paroxysm of deception, madness and murder. On the thirteenth floor of a corporate tower, high-tech visionary Douglas Hall (Craig Bierko, The Long Kiss Goodnight) and his high-strung colleague, Whitney (Vincent D'Onofrio, Men In Black), have opened the door to an amazing virtual world - circa 1937 Los Angeles. But when the powerful leader of their secret project (Armin Mueller-Stahl, Shine, The X-Files) is discovered slashed to death, Hall himself becomes the prime suspect. Arriving from Paris is the beautiful and mysterious Jane Fuller (Gretchen Mol, Rounders), claiming to be the murder victim's daughter. Her instant, magnetic attraction to Hall only further blurs the lines of what is real. Is he the killer? Is the inscrutable Jane somehow connected? To find the answers, Hall must cross the boundaries into the simulated reality he has helped create - and confront the astonishing truth about his own existence.