What a refreshing change of pace: an entire episode told from the point of view of the husbands rather than the wives. And who better to narrate than one of the dead husbands? Rex Van De Kamp (Steven Culp), great to have you back, or at least your voice. Reminded me a bit of the one time George narrated instead of Meredith on Grey's Anatomy. Shifting the focus to the husbands was an effective way of keeping our minds occupied during the absence of Marcia Cross. You've heard of going braless; well, this episode was Bree-less. But hey, Momma was preparing to have twins. Good timing for Bree to be off "visiting her parents" while her slutty daughter Danielle discovered she was pregnant. And just when Julie was forgiving Austin for cheating on her with Danielle. I loved Danielle loudly puking after Julie was telling Austin she'd give him another chance. Did any of you think Andrew was about to proposition Austin into sleeping with him as blackmail so Andrew wouldn't tell Julie about Dan...
read more
Three weeks ago (when the last new episode aired), I briefly whined: "When oh, when will we get to see Monique in flashbacks again?" So you know I was screaming with joy when I got my wish tonight! Not only did Monique (Kathleen York) reappear in a flashback, but we also got so many answers, as did Mike Delfino, all thanks to his hypnotherapist (Miriam Flynn). So Mike didn't kill Monique — Orson framed Mike by giving Mike his wrench back — the wrench that had Monique’s blood on it. Now we know why Mike's phone number was written on Monique's hand. We also know that Mike never dated Monique: "I'm flattered, but I'm seeing somebody." Monique: "Me, too, but he's married and I'm drunk." I do wonder what Orson told Bree when he "confessed" and told her "the truth." He said she was upset, but apparently not too upset, since she was still living with him before the ladder accident. As usual, we got some answers but were still left with further questions. Like, why would Glor...
read more
First thing I need to say right off the bat is how funny I thought the show was tonight. Not that I don't always think it's humorous, but I found it even funnier than normal. So I must commend the writers — co-executive producer Kevin Murphy and producer Kevin Etten — for a hilarious script. There were so many great lines, but I think my favorite was Lynette to Tom after Tom told her he wasn't inviting her to the opening of his new restaurant due to her snarky attitude, which made Lynette say no to sex. Tom: "So we're not havin' sex?" Lynette: "Hey — you banned me from your opening." Shut up. To think that Lynette had to expose her breasts to that old man Harry (Richard Herd) just to get him to sign off on Tom's liquor license. What a wife won't do for her husband. Mrs. McCluskey was an excellent inspiration for Lynette, so Kathryn Joosten was able to deliver one of the episode's many other zingers (re: Tom): "It's bad enough you cut off his cojones. Now you want to j...
read more
As Nicollette Sheridan said to the women on The View last week: "Finally! A new episode!" I would've preferred more Nicollette tonight, though, besides just the final scene. But what a final scene — Alma is moving to Wisteria Lane, thanks to the real-estate savvy of Edie. The best episodes of DH are the ones like tonight that introduce new mysteries while further answering old ones. What was Alma giving herself a shot of in her thigh? For a while there, I thought she was killing herself, but I was wrong. I liked the earlier flashback scene where we found out why Alma and Orson got married — she tricked him into getting her pregnant, and he was never in love with her. Loved when she showed up to Bree's door, and Bree fainted. Valerie Mahaffey is a stellar addition to an already solid cast, so I hope Alma lasts. Her best line was to Orson while sitting next to Bree on the couch: "What is it with you and redheads?" Since Alma and Bree are so similar, it was natural for them t...
read more
Well, you knew that after last week's standout shoot-out episode, tonight was going to be somewhat of a letdown no matter what. How can you top last week? Since my expectations were already lowered, I was able to enjoy tonight for the most part — especially the Bree and Orson scenes. Continuing in the tradition of casting the very best actresses in the business to play the mothers of the characters, Dixie Carter acted up a storm as Gloria, Orson's mother of a mother. As soon as Bree started talking to Gloria as though she were senile, you knew there was going to be hell. I like that we still don't know exactly why Orson wants to keep his mother in the nursing home, yet Gloria has something over Orson — something that could get him in big trouble: "I gave you life. You know I won't hesitate to take it away." Maybe we'll find out next week.It was great to see how frustrated Orson was getting around Gloria, which just frightened Bree and humored Andrew: "So — can we call...
read more
As Brenda Strong’s narration mentioned, "Sabotage — everyone is capable of it, but some go about it more ruthlessly than others." Sabotage was definitely the theme tonight and the title of the episode was, appropriately, "Nice She Ain’t." This would apply to Gaby, Edie, Bree, Nora and eventually Danielle. The victims of the sabotage? Carlos, Susan, Danielle, Lynette and Mr. Falati (Danielle's teacher). Let's break it down.Gabrielle and Carlos are having their own War of the Roses. I didn't think I'd enjoy watching them fight back and forth like they did, but since their battles were done in humorous ways, it was worthwhile. Eva Longoria was the comedy MVP again with so many funny lines. I think my two favorites involved Gaby trying to make Carlos jealous by pretending to date his business associate Phil Lopez (Marco Sanchez). After leaving the hot tub with Phil, Gaby shouted to Carlos: "I’m making a snack for Phil. You want something to eat? Some sour grapes, per...
read more
Well, the battle between Susan and Edie for Mike's attention was certainly resurrected tonight. In true soap opera form, Mike finally came out of his coma and the only one not around or even in town was Susan. Susan was gallivanting with Ian in the country again, in a place where there was, of course, poor cell reception. When Susan's daughter Julie finally got through to Susan's cell, I was so hoping Julie would've said: "Umm... Mike came out of his coma. Can you hear me now?" I didn't think Susan was being fair to Ian. She didn't have to reciprocate his flirtations in the first place, but she did. But then I felt bad for Susan when Mike told her he didn't remember her and asked her not to come back for a while since he had to go to physical therapy. Retrograde memory loss will do that to you. You just knew Edie was going to be leering around the corner and then tell naïve Mike that he wasn't in love with Susan. Payback's a bitch and her name is Edie.Orson is one of my favorit...
read more
My favorite part about watching this show is the way they end it each week. Sometimes they wrap it up sweetly in a way that makes you smile. While other times, like last week and tonight, we get a shocker that leaves us hanging until the next episode. Sure, we knew Mike would come out of his coma eventually, but I didn't think it would be tonight. How wonderful that they didn't do it the clichéd soap opera way where his eyes suddenly opened up while the camera was on him. Instead, we got a great Edie reaction shot of shock, followed by scenes with other characters (interspersed with the usual Brenda Strong closing narration) and then back to Edie's face looking over at Mike with his eyes wide open. Loved that! It was already hilarious for Edie to stop by the hospital to retrieve her CD player, grab a chocolate and take a peek under Mike's blanket to see if he still measured up: "Damn! That's with the coma!" While we're on the subject of my goddess Nicollette Sheridan, she had s...
read more
