As glittery and shiny as the spanking new 1962 Coupe de Ville that Don Draper buys (and whose new-car smell Betty ruins in the stunningly appropriate final scene of Sunday's episode), as rich and textured and ambiguous as the modernist Mark Rothko painting Cooper displays in his office, AMC's Mad Men is firing on all cylinders midway through its second season. Sunday's brilliantly structured episode, another home run in a recent string of winners, had me looking anew at the show as a work of art, something transcending mere TV. I could devote an entire column to quoting great, meaningful, loaded dialogue from this episode. Surely they'll publish collected scripts of Mad Men some day. It will make great reading, possibly even as satisfying as watching it.
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