Skeet Ulrich and Ashley Scott, Jericho
What do the Morse-code messages say? Is Hawkins a hero or a villain? As the Feb. 21 return of CBS' Jericho nears, TV Guide has the inside scoop on these bombshells — and more!
Are we ever going to get outside of Jericho and really see what happened?
You'll get a lot of answers in the first new episode of the year (airing next Wednesday), which shows events that happened 36 hours before the bombs were dropped — if they were actually "dropped." But in the future, the show will only follow peripatetic lead character Jake Green (Skeet Ulrich) and other Jericho residents. "We're trying to tell the story from the point of view of the people in this town," says executive producer Jon Turteltaub. "So we're not g
Why should liberals have all the laughs? On Feb. 18, Fox News Channel is looking to get a few younger viewers into its tent with The 1/2 Hour News Hour at 10 pm/ET. It's a satirical news program akin to The Daily Show with Jon Stewart, but will aim more of its shots at the left side of the political spectrum. It repeats on Feb. 25 and a second episode airs on Mar. 4, before FNC decides whether to make a weekly series. The show was developed by Joel Surnow, cocreator and executive producer of 24 and a self-described "right-wing nut job." The Biz talked to him and his fellow 24 executive producer Manny Coto about their new project and the recent heat over Jack Bauer's torture methods.
Zac Efron and Vanessa Anne Hudgens, High School Musical
Before a single frame has been shot for the sequel to the Disney Channel's megahit TV-movie High School Musical, plans are already under way for a third film. But this one will be for the big screen.
Disney has announced plans to have the yet-to-be-titled second sequel premiere in movie theaters by the fourth quarter of 2008. The release will be timed for Halloween and have a story set in a haunted high school, Disney Channel chief Rich Ross told the Biz.
"The bigness of the idea we're working on would require a budget that would far outstrip what we've spent on other Disney Channel movies," said Ross, citing the reason for going the theatrical route first.
Ross said the cast has been alerted of plans to go ahead with a third High School Musical, but none have been signed as of yet. They will all reprise their roles in High School Musical 2, which begins production
This week Microsoft founder Bill Gates has been out touting the new Windows Vista operating system, which, among many other things, makes it easier to watch Internet video on your TV set. Does this mean the old way of watching TV is on the way out? The Biz got a chance to ask him just that during a stop on his whirlwind tour.
TVGuide.com: Do you think the days of showing up at 8 or 9 o'clock to watch something like 24 will soon be gone?
Bill Gates: No, I don't. I think there'll be less of it. Some of the big, breaking things everybody will want to watch together. The Super Bowl is on at one time, and everybody the next day wants to make their comments about it. So it's not that we throw out the old completely. We just get rid of some of the rigidity it's had. When the elections are on, you'll want to be able to pick the candidates and issues you care about and follow them a little bit interactively. I think the Olympics are a great example of something that
The Screen Actors Guild Awards are happening on Jan. 28, but for the cast, producers and writers of The Office, it's just another night out in formalwear. The NBC sitcom has been racking up awards since it made its modest mid-season debut in 2005. But the show's ratings are stacking up, too. Among viewers ages 18 to 49 (the ones NBC sells to advertisers), The Office is third among all half-hour comedies, trailing Two and a Half Men and The Simpsons. In some weeks, it's been No. 1. It's also got a big fan in the network's corporate headquarters. The Biz recently caught up with executive producer Greg Daniels and talked about how the workplace comedy is climbing the ladder of success.
TVGuide.com: I heard that Jeff Immelt, chairman of NBC parent GE, b
Meredith Vieira and Matt Lauer, Today
Is there such a thing as too much Today? NBC execs, who announced they will launch a fourth hour of the morning show this fall, don't think so. And they're right.
NBC has long been the worst network in daytime. Its most successful show, the long-running Days of our Lives, is a breakeven proposition at best. The network hasn't had much luck launching syndicated the network's scrap heap of expensive failures.
Today has been the No. 1 morning show for 11 years. It successfully added a third hour in 2000, and no one thought anything less of the flagship two-hour telecast. That makes the math of going to a fourth hour very easy.
But there's a bigger reason: About 10 years ago, Today show creator Pat Weaver gave a talk at the Museum of Television and Radio. He was asked what he would do to combat the migration of viewers from broadcast to cable, which at the time was happening
Simon Cowell, Randy Jackson, Paula Abdul and Ryan Seacrest, American Idol
Can't get enough American Idol? Fox has been very careful not to overexpose the talent-competition franchise by airing only one contest each TV season — a rare demonstration of restraint for the network. But outside of prime time, the noise surrounding Idol will be cranked up to 11 this year. The licensing arm of Idol production company Fremantle Media is taking a cue from the 570 million votes cast in last year's competition and is giving viewers more opportunities to get involved in the show. The company is planning to extend the Idol experience to games, books, mobile phones and the frozen-dessert section of your supermarket. Keith Hindle, executive vice president for marketing at Fremantle, recently talked to the Biz about the company's plans to make television's biggest show even bigger.
TVGuide.com: So, the plan is to get the viewers more involved beyond just voting f
Bruce Springsteen, a former CBS Records artist
Who ever thought the day would come when you'd hear more music on CBS than on MTV? Nearly every prime-time drama ends with a montage that has a backing track by a new artist or a recognizable legend. The exposure is massive and can generate a surge in sales for the song, but it isn't cheap for the show. The producers of CSI: NY paid $25,000 for the use of a Bruce Springsteen track on a recent episode. It wasn't too long ago that the Boss was part of the CBS family, when the company owned his record label (it was sold off to Sony in the 1980s). Well, CBS Records is back. And while the new label won't have Bruce on the roster, it will develop artists whose tracks could be used by CBS-produced shows. Nancy Tellem, president of the CBS Paramount Network Television Entertainment Group will oversee the label. She recently explained to the Biz why the company wants to make music again.
TVGuide.com: CBS has been ou
Alec Baldwin, Tina Fey and Tracy Morgan, 30 Rock
Thirteen weeks into the 2006-07 TV season, the four major broadcast networks actually have more viewers than they did a year ago and are even in the advertiser-coveted demo of 18- to 49-year-olds. So the grades on our ratings report card should be pretty good, right? It's time to take a break from watching all those canceled shows online and assess the season so far.
ABC: The network held up remarkably well considering the loss of Monday Night Football. Overall, it was only down three percent in viewers ages 18 to 49, but showed big gains among young women. The move of Grey's Anatomy to Thursdays improved ABC's 18-to-49 audience by 150 percent. Brothers & Sisters and Ugly Betty are real success stories. Dancing with the Stars has proven to be a durable franchise. But Wednesday has become a problem — the network practically goes dark when Lost isn't on. The second half of the season could get rough as ABC is typically hurt m
Mandy Patinkin, Criminal Minds
Back in the early '80s, when the Super Bowl moved into prime time, the networks began scheduling a new entertainment show to premiere after the big game, to take advantage of the humongous audience lead-in it provided. NBC started the tradition with The A-Team, which went on to become a big hit and helped the network begin its run of prime-time ratings dominance that lasted the rest of the decade. The next year, CBS used the platform to launch Airwolf, which hung around for a few seasons. ABC previewed The Wonder Years after the game in 1988. That show then had a nice six-year run that included a season in the top 10.
But the tactic of using the supersize audience to launch a show has become a TV-business relic. When it comes to Super Bowl Sunday, networks now go with what they think is their already hot show, instead of something new. For 2007, CBS has given the nod to Criminal Minds to follow Super Bowl XLI. CBS Corp. chairman Leslie Moonves